Emii Alrai

Born 1993 / Blackpool / Scotland
Lives and works in UK

Emii Alrai is an artist whose work spans material investigation in relation to memory, critique of the western museological structure and the complexity of ruins. Working primarily in sculpture and installation, her work operates as large-scale realms built in relation to bodies of research which concern archaeology and the natural environments objects are excavated from. Her practice weaves in oral histories, inherited nostalgia and the details of language to question the rigidity of Empire and the power of hierarchy to interpolate the static presence of history. The installations physically weave together hand built clay vessels which are patinated to look like ancient artefacts, steel braces and polystyrene hewn into amorphous landscapes.

Mimicry and theatricality are at the heart of the work, with forms covered in gypsum, sand, tar and various pigments to create monumental environments that replicate the ideas of a romanticised past and the histories of archaeological excavation. In this material exploration in relation to bodies of research, Alrai’s practice allows for conversations around memory, nostalgia and language to surface critiquing current structures of rigidity and how these may stem from the lasting shadow of imperialism. Beyond merely critiquing or reproducing these structures, the work’s bending of time and space imagines ways in which to go forward in our understanding of history, its retelling and its romanticism and opens dialogue with the ways we engage history in our construction of the future.

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Selected Works

Ransoms (2025)

Steel, clay, copper, patinates, pigment
177 x 161 x 37 cm (70 × 63 × 15 in)

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Guardian (2025)

jesmonite, pigment, foam, steel
300 x 350 x 150 cm (118 × 138 × 59 in)

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Dam Part, Fountain (2021-2025)

British gypsum, polystyrene, sand, steel
108 x 240 x 40.5 cm (42.5 × 94.5 × 15 in)

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Meridian (2024)

Bitumen on paper
60.5 x 80.5 cm (24 × 32 in)

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Passing of the Lilies (2024)

Polystyrene
300 x 90 x 70 cm (118 × 35 × 28 in)

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Mast Head, Half Flag (2024)

Plywood, hay, straw, metal wire, gypsum, hops, jute and pewter nails
197 x 122 x 9 cm each panel (78 × 48 × 3.5 in)

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Drinkers of the Wind (2023)

Steel, wood, hay, mesh, tadelakt
700 x 220 x 50 cm (275 × 87 × 20 in)

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Spleen (2022)

British gypsum plaster, polystyrene, water, glue, steel, vinegar, fertiliser, salt
196 x 136 x 40 cm (77 × 53.5 × 16 in)

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Coude (2022)

British gypsum plaster, polystyrene, water, glue, copper leaf, steel, vinegar, fertiliser, salt
245 x 70 x 80 cm (96 × 27 × 31 in)

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Cygnet Votive (2021)

Terracotta, copper, patinate, steel armature
10 x 8 x 7 cm (4 × 3 × 2.8 in)

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Swan Votive (2021)

Terracotta, copper, patinate, steel armature
10 x 9 x 7 cm (4 × 3.5 × 2.8 in)

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Scone with Three Spear Bull Votive (2021)

Jesmonite, terracotta, copper, patinate, steel armatur
100 x 30 cm (40 × 11.8 in)

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Ichor, for The Courtship of Giants (2021)

Ink on paper
28.5 x 19.5 cm (11 × 8 in)

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Tare, for The Courtship of Giants (2021)

Ink on paper
31 x 44 cm (12 × 17 in)

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Flay, for The Courtship of Giants (2021)

Ink on paper
31 x 44 cm (12 × 17 in)

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Drinkers of the Wind (2023)

Steel, wood, hay, mesh, tadelakt
700 x 220 x 50 cm (275 × 87 × 20 in)

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Spleen (2022)

British gypsum plaster, polystyrene, water, glue, steel, vinegar, fertiliser, salt
196 x 136 x 40 cm (77 × 53.5 × 16 in)

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Coude (2022)

British gypsum plaster, polystyrene, water, glue, copper leaf, steel, vinegar, fertiliser, salt
245 x 70 x 80 cm (96 × 27 × 31 in)

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Cygnet Votive (2021)

Terracotta, copper, patinate, steel armature
10 x 8 x 7 cm (4 × 3 × 2.8 in)

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Swan Votive (2021)

Terracotta, copper, patinate, steel armature
10 x 9 x 7 cm (4 × 3.5 × 2.8 in)

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Scone with Three Spear Bull Votive (2021)

Jesmonite, terracotta, copper, patinate, steel armatur
100 x 30 cm (40 × 11.8 in)

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Ichor, for The Courtship of Giants (2021)

Ink on paper
28.5 x 19.5 cm (11 × 8 in)

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Tare, for The Courtship of Giants (2021)

Ink on paper
31 x 44 cm (12 × 17 in)

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Flay, for The Courtship of Giants (2021)

Ink on paper
31 x 44 cm (12 × 17 in)

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See More

Exhibitions

  • A Permanent Nostalgia for Departure : A Rehearsal on Legacy with Zaha Hadid

    23 September 2023 - 28 January 2024

    CAC presents group exhibition featuring Emii Alrai, curated by Maite Borjabad López-Pastor

  • Reverse Defence

    26 July - 2 November 2025

    Workplace Foundation presents 'Reverse Defence' a solo exhibition by Emii Alrai in Newcastle

  • Fragment and Form

    18 July – 2 November 2025

    Henry Moore Institute presents a group exhibition of works by Emii Alrai, Mónica Mays and Dominique White

  • Capture

    26 July - 2 November 2025

    Towner Eastbourne presents 'Capture' a solo exhibition by Emii Alrai

Selected Press

Jonathan Jones

Review of Emii Alrai: River of Black Stone at Compton Verney

Guardian / Feb 2025

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Ingrid Angermeyer

Review of Emii Alrai: A Lake as Great as Its Bones at Maximillian William, England

ArteFuse / July 2024

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Skye Sherwin

Emii Alrai on getting to grips with scarred histories

Art Fund / June 2022

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Skye Sherwin

Review of Emii Alrai: A Core of Scar at The Hepworth Wakefield

Sculpture Magazine / June 2022

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Solo Exhibitions
2025

Capture / The Towner / Eastbourne / UK

River of Blackstone / Compton Verney / Warwickshire / UK

2024

A Lake as Great as its Bones / Maximillian William / London / UK

Lithics / Quench Gallery / Margate / UK

2023

Drinkers of the Wind / Time Horizons, Into Nature Biennial / Drenthe / Netherlands

2022

Reverse Defense / Workplace Foundation / Newcastle / UK

A Core of Scar / Future Collect Commission, The Hepworth Wakefield & Iniva / Wakefield / UK

The Courtship of Giants / Eastside Projects / Birmingham / UK

2021

Deposition Layer / Threshold Projects / Leeds / UK

Passing of the Lilies / Jerwood Solo Presentations / Jerwood Arts / London / UK

2020

The High Dam / The Tetley / Leeds / UK

2019

Tutelaries / VITRINE / London / UK

House of Teeming Cattle / Two Queens / Leicester / UK

2018

An Ancient Quiver / GLOAM Gallery / Sheffield / UK

Group Exhibitions
2025

Déja Vu / Bold Tendencies / London / UK

Handful of Dust / The Palmer Gallery / London / UK

Fragment and Form: Emii Alrai, Monica Mays, Dominique White / Henry Moore Institute / Leeds / UK

2024

Façonner l'amitié / Ceramics Friends / 5th Virgina McClure Ceramic Biennale / Montreal / Canada

5 Years / Maximillian William / London / UK

Thres(hold) / Ainalayn Space & Highgate Three / London / UK

London Drawing Biennial / The Drawing Rooms

An Axis of Abstraction: Art in Cornwall and Yorkshire - Then and Now / Leeds Art Gallery / Leeds / UK

life-bestowing cadaverous sooooooooooooooooooot / CCA Glasgow / Glasgow / Scotland

2023

Drawing Attention: Emerging Artists in Dialogue, British Museum Touring Exhibition / York Art Gallery / Wolverhampton Art Gallery / UK

Ring Ring Ring / PAL Projects / Paris / France

A Permanent Nostalgia for Departure, A Rehearsal on Legacy with Zaha Hadid  / CAC Cincinatti / Cincinatti / US

I am Caried Along Down the Stream / Personeelskamer / Amsterdam / Netherlands

Anchorless Bodies: Navigating Arabic in Medieval with Works by Emii Alrai / Curated by E K Myerson / Parker Library / Cambridge / UK

Leeds Artists Show / Leeds Art Gallery / Leeds / UK

And The Mirrors Are Many / Warehouse 421 / Abu Dhabi / UAE

Stories We Tell Ourselves / Curated by Matt Kyba / Foreman Art Gallery / Montreal & McIntosh Gallery / Ontario / Canada

breathe, spirit, air / The Bluecoat / Liverpool / UK

2022

Sutures, duo show with Eve Tagny / Visual Arts Centre Clarington / Clarington / Canada

Exploratory Drawings / Maximillian William / London / UK

2021

Stories We Tell Ourselves / Curated by Matt Kyba / Foreman Gallery / Quebec / Canada

Ecdysis / Curated by Hannah Rowan / Assembly Point / London / UK

2019

Fallow, duo show with Angus McCrum / The Rectory Projects / London / UK

Odds / TOMA / Southend / UK

2017

Eternal Interstice / Ladybeck / Leeds / UK

Chiens Amers/Bitter Hounds, performance with Blanche Godivier / Set The Controls For The Heart Of The Sun / Leeds / UK

The Hum / Curated by Tžužjj / Caustic Coastal / Salford / UK

Limbo Lambada / Hutt Collective / Nottingham / UK

2016

FUAM Graduate Art Prize / The Stanley and Audrey Burton Gallery / Leeds / UK

Education

2018

MA Art Gallery and Museum Studies / University of Leeds / Leeds / UK

2016

BA Fine Art (International) / University of Leeds / Leeds / UK

2015

École Supérieure d’art et de design Marseille-Méditerranée

Collections

The Hepworth Wakefield

Arts Council Collection

Stanley and Audrey Burton Gallery

Leeds Art Gallery

The British Museum

Government Art Collection

Residencies

2026

Pilchuck Glass Artist in Residence / USA

2025

Assetto Fellowship / The Warburg Institute / London / UK

2024

Artist in Residence / Wysing Arts Centre / Cambridge / UK

2023

Villa Medici: Residence Medicis / Rome / Italy

Launchpad LaB Spring Residency / France

2021

Creative Fellow / University of Leicester / Leicester / UK

In-ruins Residency / Calabria / Italy

Triangle Astérides Residency / Marseille / France

2020

Making Marks / Arab British Center & Madeenah Kuwait / Kuwait

Yorkshire Sculpture International Sculpture Network / Yorkshire / UK

2018

The Tetley Artist Associate Programme / Yorkshire / UK

Club : Making Matters commission / Yorkshire Sculpture International / Yorkshire / UK

Club : Studio bursary / The Art House / Wakefield / UK

2016

Graduate Residency / The Art House / Wakefield

Awards

2024

Knotenpunkt Artist Award

2023

GOG Galleries of Ontario Award, Exhibition of the Year for Sutures

Frieze Artist Award (Shortlisted)

Jerwood New Work Fund Award

2020

Paul Hamlyn Foundation Award

2016

FUAM Graduate Art Prize, The Stanley and Audrey Burton Gallery / Leeds / UK