To Be Held

Curated by Ronan Mckenzie

To Be Held brings together twenty artists and three furniture designers in an immersive exhibition which aims to open a dialogue on tenderness, and what it means to care and be cared for.

The show presents works from a range of disciplines including painting, sculpture and scent; inviting us to consider the relationship between our experiences, and our internal sense of grounding and joy. To Be Held explores the impact of how we choose to share our spaces with all that they encompass, intentionally creating environments that we fill with love, and allow them, and those who inhabit them to care for us in return.

What does it mean to be held?

To see and be seen, to be warmed by surroundings which create space for one to feel and be felt, to be comforted by the knowing of acceptance and to leave by choice, when one chooses. For the doors to always be open, for ears to always be available, to be soothed by an atmosphere which calms and cares, which touches old memories that tickle before becoming visual. To be held in a space is to relax into one’s breathing because we know that we’re not alone.

Participating artists include: Annan Affotey, Alvin Armstrong, Mabintou Badjie, Chris Bramble, Toby Cato, CHUKES, Mac Collins, Rayvenn D’Clark, Shaye Gregan, Ezra-Lloyd Jackson, Adama Jalloh, Julianknxx, Alfie Kungu, Mario Moore, Ronan Mckenzie, Ronan Mckenzie and Jobe Burns, Sola Olulode, Natassja E Swift, Naomi Williams and Joy Yamusangie.

With furniture designs by: Modular by Mensah, ROL Studio by Holly Rollins and Miminat Shodeinde.

 

About the collaboration with BMW:

The collaboration with BMW organically formed through conversations around responding to space, interiors, design, and artwork, informed by the desire to have an expansive experience of everyday spaces. Both Mckenzie’s and BMW foundations have developed instinctively through the attention to tactility and texture, fabrication, sound, and an interest in activating multiple senses to shape emotional responses and experiences. Inspired by a shared vision for more meaningful connections, this collaboration forms one of an ongoing discourse between design and the arts.

For over 50 years, the BMW Group has initiated and been engaged in hundreds of cultural collaborations worldwide. The main focus of its long-term commitment is set on modern and contemporary art, classical music, jazz and sound, as well as architecture and design.

Preview

29th April, 6-8pm

Dates

30th April – 25th June 2023

Installation Views​
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Selected Works
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F7fd2d0a3df3075b60dbb9d100118d78j

Chukes

Illusion (2020)

Ceramic
79 x 46 x 28 cm (31 x 18 x 11 in)

Chukes

Illusion (2020)

Ceramic
79 x 46 x 28 cm (31 x 18 x 11 in)

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A4017841b274a1ffa5971a5c3f836238j

Alvin Armstong

Alvin Armstong – I Know A Prince On Greene Avenue (II) (2022)

Acrylic on canvas
182.9 x 121.9 cm (72 x 48 in)

Alvin Armstong

Alvin Armstong – I Know A Prince On Greene Avenue (II) (2022)

Acrylic on canvas
182.9 x 121.9 cm (72 x 48 in)

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C5d8c922e4c541fcd6e600b24d9a3d90j

Mario Moore

My Labor (2023)

Oil on linen
122 x 122 cm (48 x 48 in)

Mario Moore

My Labor (2023)

Oil on linen
122 x 122 cm (48 x 48 in)

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A0500b194914002abdc5a4b4d716b869j

Annan Affotey

Annan Affotey – Annan Affotey – Connected (2021)

Acrylic and charcoal on canvas
150 x 100 cm (59 x 39.5 in)

Annan Affotey

Annan Affotey – Annan Affotey – Connected (2021)

Acrylic and charcoal on canvas
150 x 100 cm (59 x 39.5 in)

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0cc0145abdb8fa57f37c1580c2d1449dj

Toby Cato

Toby Cato – A kind of love (2022)

Acrylic and paper on canvas
Artwork: 100 x 100 cm (39 x 39 in)
Framed: 104 x 104 x 5 cm (41 x 41 x 2 in)

Toby Cato

Toby Cato – A kind of love (2022)

Acrylic and paper on canvas
Artwork: 100 x 100 cm (39 x 39 in)
Framed: 104 x 104 x 5 cm (41 x 41 x 2 in)

Enquire
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94c4a718d946e2f0a2ef485a0455ae34j

Joy Yamusangie

Bye Baby, See You Around (2023)

Acrylic, oil bars, pastels, pen, yarn and fabric on canvas
201 x 182 cm (79 x 71.5 in)

Joy Yamusangie

Bye Baby, See You Around (2023)

Acrylic, oil bars, pastels, pen, yarn and fabric on canvas
201 x 182 cm (79 x 71.5 in)

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10910fe3294753d36387e9fc29b7c56ej
10910fe3294753d36387e9fc29b7c56ej

Alfie Kungu

Alfie Kungu – Salute The Sun (2022)

Silk paint, acrylic ink and Indian ink on satin
Artwork: 150 x 160 cm (59 x 63 in)
Framed: 153 x 163 x 2.5 cm (60 x 64 x 1 in)

Alfie Kungu

Alfie Kungu – Salute The Sun (2022)

Silk paint, acrylic ink and Indian ink on satin
Artwork: 150 x 160 cm (59 x 63 in)
Framed: 153 x 163 x 2.5 cm (60 x 64 x 1 in)

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Aa282e3e276dee92b7348e7159d85a87j
Aa282e3e276dee92b7348e7159d85a87j

Adama Jalloh

Mother praying, ‘The New Saturday Night’ (2020)

C-type photo prints, framed in silver frames with a white mount
Artwork: 19 x 29 cm (7.5 x 11.5 in)
Framed: 40.5 x 40.5 x 2 cm (16 x 16 x 1 in)

Adama Jalloh

Mother praying, ‘The New Saturday Night’ (2020)

C-type photo prints, framed in silver frames with a white mount
Artwork: 19 x 29 cm (7.5 x 11.5 in)
Framed: 40.5 x 40.5 x 2 cm (16 x 16 x 1 in)

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Alfie Kungu

Alfie Kungu – Salute The Sun (2022)

Silk paint, acrylic ink and Indian ink on satin
Artwork: 150 x 160 cm (59 x 63 in)
Framed: 153 x 163 x 2.5 cm (60 x 64 x 1 in)

Alfie Kungu

Alfie Kungu – Salute The Sun (2022)

Silk paint, acrylic ink and Indian ink on satin
Artwork: 150 x 160 cm (59 x 63 in)
Framed: 153 x 163 x 2.5 cm (60 x 64 x 1 in)

Enquire
Aa282e3e276dee92b7348e7159d85a87j
Aa282e3e276dee92b7348e7159d85a87j

Adama Jalloh

Mother praying, ‘The New Saturday Night’ (2020)

C-type photo prints, framed in silver frames with a white mount
Artwork: 19 x 29 cm (7.5 x 11.5 in)
Framed: 40.5 x 40.5 x 2 cm (16 x 16 x 1 in)

Adama Jalloh

Mother praying, ‘The New Saturday Night’ (2020)

C-type photo prints, framed in silver frames with a white mount
Artwork: 19 x 29 cm (7.5 x 11.5 in)
Framed: 40.5 x 40.5 x 2 cm (16 x 16 x 1 in)

Enquire
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About The Curator

Ronan Mckenzie is an artist, designer, photographer, and stylist from London. Mckenzie got her start in fashion after working in retail and completing a foundation course in fashion and textiles. She then enrolled in Central Saint Martins for Fashion Communication and Promotion, but dropped out two weeks into the course to focus on styling, gradually moving to photography. Mckenzie’s clients include Gucci, Acne Studios, Mulberry, Stella McCartney, Tate Modern, The Royal Academy, The Barbican Centre, Somerset House and The Victoria and Albert Museum.